Play Reading - Hong Kong Hamlet by Joe Studwell and Tom Hope
La Fête de la Francophonie
HK English Speaking Union
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- Mon 18-11-2013 7:30 PM - 2 h
Colette Artbar
FREE
Tickets
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Synopsis
Hong Kong Hamlet by Joe Studwell and Tom Hope
Monday November 18th
Hong Kong Hamlet was written by freelance journalist and author Joe Studwell, together with Not
So Loud Theatre Company’s Tom Hope, for the group’s Hong Kong Fringe Festival production in
1994. Its witty style is reminiscent of Tom Stoppard’s celebrated comic deconstruction of Hamlet in
Rosencranz and Guildenstern are Dead as well as the Reduced Shakespeare Company’s 1-minute
Hamlet (notorious for also being performed in reverse in their achingly funny Shakespeare send-up),
which proves that even Shakespeare’s most famous tragic play can be the stuff of comedy. By the time
we finish reading the play we realize that the author has done more than just entertain us and satirize
Hong Kong’s well-known obsession with status-symbol possessions such as expensive watches and
snob-appeal brands of brandy. A psychoanalyst character mediates between audience and the actor
playing young Hamlet, making the audience indirect observers of Hamlet Junior’s ‘father’ problem
and not direct listeners and confidants, as in the original tragedy. The dramatic situation in this clever
comedy reflects a Hong Kong family scenario that we all recognize, the poor little rich kid who has it
all and yet is emotionally dislocated, having had the best that money can buy, except the opportunity of
experiencing normal life. Hamlet Junior from Hong Kong is faced with understandable identity issues
as well as uncertainty about the true nature of the family company, Crown Holdings and his Father’s
Mother’s and Uncle’s corporate activities in the mainland. Ophelia here is an environmental activist
concerned about Hamlet Senior’s and now Claudius’ and Gertrude’s involvement in the Three Gorges
Dam project, all of which gave the play a contemporary relevance and a critical edge. Tom Hope will
be present since an anthology of Not So Loud plays, including this one, is being launched at the Fringe
Club in December.